Anyone wanting to be as good as BB King has pretty big shoes
to fill, but will there be ever be another BB King?
By: Ringo Bones
Like most wannabe guitar player who became aware of blues
based music’s life changing – especially in the financial front – effects
during the 1970s and the 1980s, it is quite hard to live in a world deprived of
one of the greatest bluesman who ever lived named BB King who, sadly, passed
away in May 14, 2015. Born back in September 16, 1925 in Berclair, Mississippi
to parents who were sharecroppers in the pre Civil Rights era south and like
most African American music enthusiasts at the time, the segregated church is
mainly the only means to learn the rudiments of musicianship via Gospel. But
during his teens as a guitarist with above average abilities, the young BB King
soon found out that playing the blues pays better than playing Gospel in
church.
His big break for all intents and purposes came in 1969 when
he opened for the Rolling Stone’s American tour and thus acquired an
international fanbase that even his favourite Gibson semi-hollow electric
guitar in which he christened “Lucille” became inextricably linked with his
avant garde and yet likable style of blues. I mean his signature fast vibrato
has influenced generations of musicians who first heard of him during the
latter half of the 1960s. And let’s not forget that BB King will be
immortalized in the pantheon of African American music gods when he played with
James Brown during the Rumble of the Jungle’s musical festivities.
Younger fans probably knew BB King during his Rattle and Hum
sessions with U2 during the latter half of the 1980s. And as a hallmark of his
guitar playing skill, BB King managed to make a solid-state guitar amplifier
that was well-known as a “bargain-basement” product during the 1970s – i.e. the
now legendary solid-state Gibson Lab Series guitar amplifiers sound like a full
blown vacuum tube gear that made every guitar enthusiasts wanting to emulate
his tone and technique assumed for years that BB King had always played the 6L6
vacuum tube equipped 1965 Fender Twin. The musical world will be a sadder place
without him.
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