Monday, November 22, 2010

The Untimely Passing of John Lennon: End of an Era?

To anyone too young to have experienced the Beatles first hand, does the brutal assassination of John Lennon back in December 10, 1980 forever deny them of the joys of Beatlemania?


By: Ringo Bones


To any music lover still a few years shy of 40, the 10th of December is somewhat of a contentious part of the year and it is not just because of the Christmas shopping rush. It always makes me feel that I’ve been cheated from experiencing first hand one of the defining cultural phenomena of the 20th Century – namely Beatlemania. This time of the year only reminds me that I’m only left with growing up with the cynicism of the 1980s – though Punk and Metal were very good, I do sometimes wonder how popular music today would look and sound if John Lennon is still alive.

Even though – like most sensible Beatle fans – I still harbour the perception that the “teen idol” aspects of early Beatlemania is as quaint and as namby-pamby as the present-day equivalent. It was only when John Lennon’s youthful cheekiness turned to harshness aspect of the Beatles that I finally notice that the Beatles is ultimately destined for greater things.

As John Lennon began examining openly his own inner turmoil and his growing social and political conscience, it ultimately led the Beatles in their experimentation with mind-altering drugs and Eastern Mysticism – especially Eastern Mysticism – and as the first one to make overt political statements by returning his Member of the Order of British Empire Award in protest of British policies like the Vietnam War. John Lennon inadvertently made the Beatles immortal.

Nonetheless, what John Lennon achieved at 40 – namely a sane and healthy maturity in spite of the fame and fortune that is now and since seen by Generation X and Generation Y folks with envy – is truly remarkable indeed. I and the rest of humanity will probably be forever saddened every time the anniversary of his brutal assassination rolls around again, but the testament of his views and beliefs that’s forever etched in his music still captures me and every veteran Beatlemaniac and the odd new fan or two. Imagine that indeed.

Ronnie James Dio: Heavy Metal’s Man For All Seasons?

After keeping the post-Ozzy Black Sabbath alive and kicking and making Heavy Metal music eternally hip for a new generation of converts, is Ronnie James Dio heavy metal’s man for all seasons?


By: Ringo Bones


Even though I still mourn his untimely passing back in May 16, 2010 every time I scour every used LP and CD store in my neck of the woods for every LP, CD, cassette and the odd 8-Track or two that Ronnie James Dio appeared in, it seems only now that I realized that the metal world has lost one of its greatest founders. Given that it is more or less a consensus that 1969 is the accepted birth-year of Heavy Metal music, Dio already started his journey to fame and fortune with Blues-rockers Elf when they opened for Deep Purple. And it was probably his true love for performing that made his career endure.

Dio’s coruscating, partly operatic voice got the attention of Ritchie Blackmore when he hired him to front his post Deep Purple band, Rainbow, in 1975. Four years later Dio took over Ozzy Osbourne as Black Sabbath’s vocalist and managed to revive the band’s rather waning fortunes with the 1980 release of Heaven & Hell. Dio also popularized – make that invented - the “devil’s horns” gesture – long since became a Metal staple. He then quit Sabbath after 1982’s Live Evil, then formed his own band Dio with drummer Vinnie Appice and recorded one of Heavy Metal’s most iconic tracks: “Holy Diver”.

Dio also managed yet again to revive Black Sabbath’s waning careers in the 1990s when he sang for Sabbath for their Dehumanizer album. Probably the album that paved the way for Ozzy reuniting with Black Sabbath near the end of the 1990s – and made Heavy Metal music hip yet again for the under-18s near the end of the 20th Century.

In 2006, Dio rejoined with Tony Iommi and Geezer Butler in a reformed Black Sabbath dubbed Heaven & Hell. Due to his untimely passing, Glenn Hughes is to take Dio’s place in Heaven & Hell for a special tribute at the High Voltage festival at London’s Victoria Park back in July 24, 2010. The band used the event to raise funds for the Ronnie James Dio “Stand Up And Shout” Cancer Fund - committed to the early detection and prevention cancer.

As someone who’s been performing since the birth of Heavy Metal in 1969, Ronnie James Dio managed to carve himself a unique niche in the somewhat cynical Metal world since hijacked by the corporate-driven music biz. With a talent proving that he can not only write beautiful and catchy Metal tunes that sell like hotcakes but is also there to remind us not to be unduly jaded by the increasingly corporate dominion of the music biz on Heavy Metal music. Ronnie James Dio could indeed be Heavy Metal music’s Man for all Seasons.

Sunday, May 23, 2010

The Post-Napster Music Industry: Still Economically Viable?

Given that stadium-filling rock concerts are still a reality, did the global music industry faired well since Napster made free downloading of music a reality?

By: Ringo Bones

If you want any proof that the global music industry have faired well against the Bolshevist Napsterization of how we get new music - as in free on the Internet - just look at Bruce Dickinson ferrying his Iron Maiden bandmates and gear via an Astraeus 757 designated as Ed Force One. And given that Iron Maiden and related fanbases has been designated by the multinational music industry fatcats as the scapegoat du jour for illegally downloading their copyrighted wares for over a decade, is this proof positive that the music industry have faired well against Napsterization?

Short of finding enough funds for Iron Maiden performing the first heavy metal rock concert in weightless conditions on board the International Space Station, the music industry fatcats had been showing us facts and figures on how Napster and its ilk had devastated their bottom line. But it did allow some deservingly talented acts access to a worldwide audience without going through the record industry fatcat middlemen. All you have to do now is to find these great stuff on the web - and its free. Copyright infringement be damned - though I just hope they can solve the perennial problem of not so pristine sound quality, someday.